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She Was a Bruise
My mom hates this one. I keep telling her, 'Doesn't the fact that I'm singing from a girl's perspective tell you it's fiction?' My good friend Nancy Wharton is the cellist behind all that pretty stuff in the middle. She's awesome. This song took the biggest leap in the studio as far as our approach to arrangement went. It was originally just a piano song, but I'm really glad it took the turn that it did.
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